Seen the latest Axe commercial? The one with 18 something girls in bright colourful tops and ponytails doing things as mundane as washing a car, drinking water and playing sports? I have. Liked it? I didn’t. And here’s the reason why.
Axe entered the Indian market about 7 years ago. While the entry was a low key affair, subsequent quarters witnessed heightened activity of communication. While Rexona (another product from the same parent organization) was positioned as a product designed to hide your hideous body odour under layers of musky deodorant (remember the guy smelling his armpits before going up to meet a girl?), Axe told me I would have girls swooning over me if I used the product. Remember the ‘elevator’ series of ads with the tag line, “The Axe Effect”? This series of ads was probably one of the very few on television at that time that talked about/suggested male-female attraction in a brazen sort of way. These commercials were founded on a common insight and the execution didn’t sink to the depths of taste thereby creating a visual that was funny (maybe hilarious), ensured top of mind and definitely assisted the brand.
Roll forward to the summer of 2006. I saw the latest ‘Axeland’ commercial about a couple of weeks ago and it seems to have stuck in my head like that godawful tune that won’t go away. One version of the commercial opens with a girl holding a pair of footballs against her chest and a girl friend of hers walking up behind her and groping them. Followed by two girls at a water fountain gazing into each other’s eyes. And so on. A guy visits a guitar store and picks up a gat. He starts playing it and the audience then realizes that he doesn’t know what the g- string stands for. Amidst his valiant attempts to squeeze a tune out of the instrument, we are shown girls all around him screaming the way they would if they saw Enrique on the street. The commercial closes with a voiceover telling me to visit ‘axeland’ (more on that later). Another version shows a skinny lad falling all over a football and the same set of girls piling up on top of him towards the end.
While the basic insight remains intact from the ‘elevator’ commercials, here is an example of how a clueless brand management team can piss increased sales goodbye. It is one thing to say I might get lucky in the elevator today, quite another to tell me I am a loser and that my only hope is inside an aerosol can. No one like’s to be called a loser. Especially not guys. Wonder why guys get irritated when their girl friends or wives start giving them directions while the guy’s driving the car? Because guys don’t like being told that they are incapable. That they are losers. Men are masters of the ego. And we are not apologetic about it.
The ‘axeland’ commercial suffers on two major counts. The first, as mentioned above, relates to how the brand connects with a prospective consumer (the guy). The commercial is basically telling me that I am a dumb fuck and that without Axe, I might as well strangle myself with one of those nylon strings and exit this planet. Now I don’t like being told that I am good for nothing. I might not know how to play football well, but I definitely don’t like being told that I suck at it. It’s like a group of bullies sitting on the sidelines and jeering me while I play, pointing fingers at me and laughing their guts out. How would I feel about it? I would probably ignore them. Now imagine one of them walks up to me after the game and tells me that he has this spray to sell to me that would make me a better player. I would probably punch him in the face. How stupid do you think I am?
The second point on which the commercial (and in fact, the entire campaign) is an absolute blunder is the execution itself. The cues, the imagery, the pony-tailed girls; I cannot but ask the question – Which century are we in? Yeah sure, the groping and the gazing is every man’s ultimate fantasy (maybe not!) but that is where slick execution differs from a shoddy job. As suggested by the voiceover in the commercial, I visited the mentioned website. And here are nuggets of trivia about axeland.
National Costume – “Tight tops and not much else”
National Flag – “Panties” (no kidding)
National Flower – “Lady Finger”
National Bird – “The Booby”
National Dish – You will have to see if for yourself
You can be forgiven if you thought that you were browsing a mediocre soft porn website and not something related to but a deodorant. The question that we are faced at the end of all this is – “How did this happen?” How did such an ad get created? There is more than one reason for this.
At a time when every brand is fervently trying to localize its communication and in some cases, even its offering (Nokia with its phone developed exclusively for the Indian market), Axe’s parent company seems to be swimming against the tide. Till recently, the brand team for India used to be based out of India with all the units (incl. formulation development, packaging, communication, market research) being localized. But now with the brand development (and apparently communication) teams planned to go regional (South-East Asia being one), all the work in product development will now be common for all the markets involved. If Indonesia decides to put flakes in Lifebuoy, India shall too. Why is this being done? I guess that’s a question for Mr. Harish Manwani to answer. What will happen as a result of this? I am afraid commercials like ‘Axeland’.
Though the idea was to have only the product development teams formed regionally and the brand communication team still being localized, I am pretty confident my friends in Indonesia, Malaysia, Thailand, Philippines and Vietnam are watching the same commercial. And while their cultural ethos and sensitivities might actually find this ad funny, I don’t think the same can be said for the average Indian teenager (I find the ad as insulting to girls as to guys).
The second reason is a surprising lack of common sense amongst the communication development team. We don’t need expensive market research models to tell us this – You cannot antagonize the audience. Never. Almost every marketing handbook out there tells me customer service is paramount irrespective of the industry in which the organization operates. It tells me to treat customer like God. But when misled exuberance of a brand manager is coupled with a creative director suffering from a major mental block, ads like these are bound to come out.
Just to compare, look at the continuing “Pleasure Up” campaign by Kwality Walls (surprisingly, from the same stable). The proposition is clear and straight – “Succumb to the temptation” executed with a twist. But while both the “Pleasure Up” and “Axeland” campaigns suggest getting laid, Kwality Walls doesn’t call me a loser to get me to try their product. Couple that with brilliant execution and what we have is a campaign that is surely going to get more people eating ice cream or getting laid or both together. But imagine how easy it could have been for the Kwality Walls team to start with the same insight as the Axe team and come up with a similar output.
There are three basic ways to make a sale. Either put forth product attributes or position the product as aspirational or play with the consumer’s inherent insecurities and fears. In the short term, all three of these measures are going to affect the top line in similar ways. But where the difference comes in what each of these alternatives does to the brand and its equity. One can’t keep dissing off consumers and stay in the market for long.
The customer is God. And God doesn’t like being told he is a loser.